Director Susindran was pretty overconfident that Naan Mahan Alla would be an exceptional flick focalizing on rapid rise of crime rates in Chennai. But, what should have been a crime thriller turns into sluggish drama with predictable narration. Hero’s act of seeking vengeances and settling scores with baddies has been the most common stories in Kollywood. In all likelihood, Naan Mahan Alla carries such hackneyed plot and offers nothing special to the audiences.
Looks like Karthi is slightly getting out of his Paruthiveeran effects as he tries to emote in a different style when compared to his previous films. The actor showcases an overpowering performance during the second half. On pars, he gets along well with comical sequences. Kajal Aggarwal’s characterization doesn’t boast of specialties as she plays the usual girl-to-next-door roles. Her onscreen chemistry with Karthi is extraordinary. The actress can try for some challenging roles as she possesses the talent to perform them. Jayaprakash as Karthi’s father does an excellent job. The 4 youngsters enacting the role of baddies have done a marvelous job.
Technically, the background score by Yuvan Shankar Raja is magnificent and the song ‘Iragai Pole’ is a foot-tapping number. Mathi’s cinematography is okay as he doesn’t try for innovative placements. His picturing style of songs and climax fight sequence is over the top. Editing by Kasi Viswanathan is perfect.
Basically, if you’re expecting Naan Mahan Alla to be a serious movie with a strong storyline, you’re sure to get disappointed. It’s a time worn of script of hero putting an end to villains. The film can be watched once and it’s just an average show with few violence sequences harshly shown.
When compared to his previous films Paruthiveeran and Aayirathil Oruvan, the actor fails to get himself over the top. Karthi has to keep himself cognizant over choosing some good scripts. Having delivered a commendable showpiece Vennila Kabadi Kulu, Susindran bashes down our hopes with a flimsy tale.
Technically, the background score by Yuvan Shankar Raja is magnificent and the song ‘Iragai Pole’ is a foot-tapping number. Mathi’s cinematography is okay as he doesn’t try for innovative placements. His picturing style of songs and climax fight sequence is over the top. Editing by Kasi Viswanathan is perfect.
Basically, if you’re expecting Naan Mahan Alla to be a serious movie with a strong storyline, you’re sure to get disappointed. It’s a time worn of script of hero putting an end to villains. The film can be watched once and it’s just an average show with few violence sequences harshly shown.
When compared to his previous films Paruthiveeran and Aayirathil Oruvan, the actor fails to get himself over the top. Karthi has to keep himself cognizant over choosing some good scripts. Having delivered a commendable showpiece Vennila Kabadi Kulu, Susindran bashes down our hopes with a flimsy tale.
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